And over which, Dylan’s strange lyrics seem triumphant, yet also full of warning, as his unglamorous voice brimming with attitude, holds onto syllables as if they were gleeful riders on a hurtling-downward roller-coaster. So it was with Eric Burdon of The Animals who heard this song first from a British folk singer and then brought it to his band who helped him turn it into a Hammond organ drenched hit that somehow felt both soothing and electrifying. The romantic swoon and playful swing of those earlier singles was replaced with a Sinatra-like cool as he looks to the ocean and wonders what his lover is doing on the other side of that body of water other than “watching the ships that go sailing.” Would that he could split it in half like Moses and reunite with his lady love. Furthermore, the track introduces the arrival of John Entwistle as the undisputed king of his instrument and perhaps the most memorable stutter in all of rock history. —Nick Marino, The magic of The Beatles is that two men with very different aesthetics, Lennon and McCartney somehow formed one of the most dynamic combinations in the history of rock and roll. Written by future 10cc member Graham Gouldman, the song still works in the way that romantic movies still capture our attention. —Paste Archives, The Monkees didn’t form; the band was made – in this case for an American TV show inspired by The Beatles’ film A Hard Day’s Night. 4.0 out of 5 stars A Fun Picture- Price Guide of 50's, 60's & 70's Board Games Reviewed in the United States on June 1, 2000 A 104 page softbound book, featuring … The electric guitar’s role in rock music would never be quite the same. 1 singles by the time this single was released in 1968, but the country star’s incarceration a decade earlier gives this rueful number a particular authenticity. Dylan’s convention-defying song announced rock ‘n’ roll would become the voice—his voice—for disaffected Boomers out to revolutionize everything they could touch. Musically, the song mimics the narrator’s high, starting off slowly, then picking up speed and building to a frenzied crescendo (highlighted by John Cale’s viola screeches) before coming back down again in the end. 00:00. We’ve never met a human being who will admit to disliking this song (that’s your cue to take to the comments section if you exist, you poor, misguided souls), and for good reason; no matter how many times we hear this one, it simply doesn’t get old. What started out as a folk-rock style on the first album has been turned, via repetition, into a form. The Wayward Wind - Gogi Grant - 1956 Aquarius/Let the Sunshine In - The 5th Dimension - 1969 Just Walking in the Rain - Johnnie Ray - 1956 Windy - The Association - 1967 Sunshine Superman - Donovan - 1966 Raindrops - Dee Clark - 1961 Sunny - Bobby Hebb - 1966 The Rain, the Park and Other Things - The Cowsills - 1967 Rhythm of the Rain - The … However, bands with votes for multiple songs were limited to two tracks each. “A Day in the Life” is the consummate example of how perfectly their collaboration could work when the elements mashed. Divested of any visual accompaniment, “Born” still sounds as fierce as ever with a searing guitar hook and growling vocal performance by John Kay that laid the template for hard rock and heavy metal. #5 “BANANA BOAT SONG” – “Daylight come and me want to go home….”, the Jamaican folk song saw new life when Harry Belafonte in 1956 and again in the 80s when the film “Beetlejuice” copped the song for a hilarious ghost possession scene. The Mamas & the Papas, “California Dreamin’”, 51. —Robert Ham, It’s hard to think of any one record that has influenced an entire genre as much as the 13th Floor Elevators’ seminal debut The Psychedelic Sounds of the 13th Floor Elevators influenced the future of psych rock. In this performance from 1973—the first time the trio had performed together in years—their harmonies are ragged and the delivery unrehearsed, but regardless, just having these musicians playing together again, and more importantly, obviously enjoying it, was a cause for celebration. One of the names that Gaudio pondered for the song was "Peri Baby," which was the name of the record label for which Bob Crewe worked, named after the label owner's daughter. Great fun! The published rates are for US domestic shipping only. This means that the risk of loss and title for such items passes to you upon our delivery to the carrier. It’s also probably the first song most folks use to turn on others to the contralto singer. Sounds of the 60s … That Bowie makes it seem so seamless is a sign of his mastery. They may have been beaten to the punch by Nina Simone and Bob Dylan, who both recorded versions of the song earlier, but it’s The Animals whose rendition dominated the hearts of listeners for decades to come. Other acts have since recorded “Wild Thing,” including Jimi Hendrix, The Runaways, X, Cheap Trick, Liz Phair, Sam Kinison and, of course, Animal from The Muppet Show. —Ron Hart, This song became a big deal even before the 13th state in the union officially decreed it the official state song in 1979. The ’60s marked a time when pop music became more than a teenage fad, turning into an important art form in its own right as it soundtracked the civil … Yet, Nancy Sinatra’s 1966 country-pop single is so relatable that it’s been adapted into metal, punk, and dance tracks. (But don’t worry, you can just click here to find our best-of lists for some of those bands like The Beach Boys, The Rolling Stones, The Beatles, The Kinks, and The Velvet Underground.) In other words, it’s a perfect approximation of the rapid heartbeat and soaring emotions of someone in love. It’s a blistering piece of proto-punk, one that set the stage for any outlandish, fuzzed-out guitar line that would follow in a garage, and Iggy Pop’s unforgettable wails—“Now I wanna be your dog!”—can’t be unheard. The Mamas and the Papas are extremely sensitive to their material and to the impact of their finished product (producer Lou Adler probably deserves quite a bit of the credit here); their whole gimmick, if you want to call it that, is complex harmonies, each group member singing on one or several tracks which, when all mixed together, produce a new sort of harmony, not at all choral. The song ratchets up with intensity and emotion in much the same way that their ‘64 hit “You’ve Lost That Lovin’ Feelin’” did, but for much different aims. That startling drumshot of an opening: Al Kooper’s beckoning, carnivalesque Hammond B-3 organ part and Michael Bloomfield’s electric-guitar curlicues run around Dylan’s own determined rhythmic playing. Merry Clayton’s wailing vocal solo is positively chilling, but in the end, there’s a glimmer of hope that reminds us that maybe this song and “You Can’t Always Get What You Want” aren’t so different after all: “Love, sister, is just a kiss away.” — Bonnie Stiernberg, This was one of the first pop songs to include “God’ in its name. Pop music felt its soul. —Patrick Filbin, “I hope I die before I get old.” In a generation full of spokespeople, Townshend may not have been quite as outspoken as his peers, but this simple phrase from “My Generation” continues to capture the essence of its time. And yet, in 1969, when bands such as Led Zeppelin and The Rolling Stones were playing stadiums with electric guitars, he got his band of violins and horns together to record this emotional song in his unique style that endures to this day. It’s inspired countless “singing into a hairbrush” moments, in film and real life alike. Apparently the Sinatra gene runs strong. —Robert Ham, The 1965 single cut of “Papa’s Got A Brand New Bag” became a smash because of James Brown’s introduction of funk elements. Though Simon admitted later to being inspired to write that lyric after turning off the bathroom light during a songwriting session (for the bathroom often has the best acoustics), the song is a perceptive commentary on people’s inability to communicate. The very concept of the song (“California dreamin’ on such a winter’s day”) is evocative; but it is the execution of the song that makes it a masterpiece. It’s become a virtue. But its titular song stands today as an immortal girl-group pop hit, a nuanced juxtaposition of little-girl sweetness and adult tragedy. Little Stevie Wonder, “Fingertips Part 2”, 92. The Rolling Stones, “(I Can’t Get No) Satisfaction”, 33. Reggae originated in the Jamaica in this decade, combining elements of ska, R&B, and Caribbean percussion to give sound to the country’s diaspora and social issues. The Slim Taper ’60s C profile neck is exceedingly comfortable, makes chording easy, and is perfect for pulling out buttery lead lines. King Crimson, “21st Century Schizoid Man”, 80. Crafted with a maple centerblock and quarter-sawn Adirondack spruce bracing, players will be impressed by the lightweight feel and expanded range of tonal capabilities. Van claimed he never saw a penny of royalties and the contract he naively signed rendered him liable for all expenses incurred during the recording process, which is probably a big reason why he doesn’t consider it one of his favorite songs from the catalog. The album also features Redding’s recording of the Sam & Dave hit “Knock On Wood,” which is also featured on this list. Jazz felt free. —Lane Billings and Logan Lockner, The music was phenomenal. —Matt Fink, Probably the song that Redding is still the most well-known for, “Sitting On A Dock Of The Bay” was co-written by legendary soul man Steve Cropper and recorded mere days before Redding’s death, released posthumously. If it was a balm, it failed, but if it was just another gentle song and career highlight for jazz pioneer Louis Armstrong, the tune was still a huge success. Love is right when it’s simple, and it is in the simplicity of “Be My Baby” that makes it so ingenious. 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